Harper Lee, (1960年代名作家)- (2)

Harper Lee, (1960年代名作家)-dies at 89 (2)

「殺死知更鳥」一書作者

Capote became the model for Scout's creative, impish and loving friend Dill. In the novel, Dill is described as "a pocket Merlin, whose head teemed with eccentric plans, strange longings, and quaint fancies."

  

Lee's friendship with Capote was evident later when she traveled frequently with him to Kansas, beginning in 1959, to help him do research for what became his own best-seller, "In Cold Blood." He dedicated the book to her and his longtime companion, Jack Dunphy, but never acknowledged how vital a role she played in its creation.

Charles J. Shields, in the first book-length attempt at a biography of Lee, "Mockingbird: A Portrait of Harper Lee," showed how Lee helped Capote gain entrance to key figures in the murder investigation and provided keen observations and myriad notes that Capote wove into his book. (He also debunked a long-standing rumor that Capote had actually written much of "Mockingbird.")

In the 2005 film "Capote," Philip Seymour Hoffman won the best actor Academy Award for his portrayal of Capote struggling with his demons as he works on the book. Catherine Keener was nominated for an Oscar for her portrayal of Lee. The next year, Sandra Bullock took the role of Lee in "Infamous," with Toby Jones as Capote.

Lee said in the 1960s that she was working on a second novel, but over time it dropped from view and never reached a publisher.

Lee researched another book, a non-fiction account of a bizarre murder case in rural east Alabama, but abandoned the project in the 1980s.

Lee, who attended Huntingdon College in Montgomery as a freshman, transferred the next year to the University of Alabama, where she wrote and became editor of the campus literary magazine. After studying to be a lawyer like her father and older sister, Lee left the university before graduating, heading to New York to become a writer, as Capote already had done.

                      

Lee worked as an airlines reservation clerk in New York City during the early 1950s, writing on the side. Finally, with a Christmas loan from friends, she quit to write full time, and the first draft of "To Kill a Mockingbird" reached its publisher, J.B. Lippincott, in 1957.

The manuscript, according to the publishing house, arrived under the title "Atticus." The title later became "To Kill a Mockingbird," referring to an old saying that it was all right to kill a blue jay but a sin to kill a mockingbird, which gives the world its music.

Lee worked with the editor Tay Hohoff in bringing the book to its final form, a period when Lee was scrimping financially and dealing with the difficulties of rewriting.

"Though Miss Lee then had never published even an essay or a short story, this was clearly not the work of an amateur or tyro," the editor wrote in an account published by Lippincott in 1967. "... She had learned the essential part of her craft, with no so-called professional help, simply by working at it and working at it, endlessly."

Capote, in a letter to an aunt in July 1959, said that a year earlier Lee "showed me as much of the book as she'd written, and I liked it very much. She has real talent."

Her novel, while hugely popular, was not ranked by many scholars in the same category as the work of other Southern authors such as Eudora Welty or Flannery O'Connor. Decades after its publication, little was written about it in scholarly journals. Some critics have called the book naive and sentimental, whether dismissing the Ku Klux Klan as a minor nuisance in Maycomb or advocating change through personal persuasion rather than collective action. The novel was also considered patronizing for highlighting the bravery of a white man on behalf of blacks.

O'Connor, in an October 1960 letter, said, "I think I see what it really is — a child's book. ... I think for a child's book, it does all right."

Parallels were drawn between Lee and Margaret Mitchell, another Southern woman whose only novel, "Gone With the Wind," became a phenomenon and was made into a beloved movie. But Mitchell's book romanticized the black-white divide; Lee's work confronted it, although more gently than novels before and since.

   

Lee's book features Scout's often meandering recollection of the people — some eccentric, such as the reclusive Boo Radley — in rural Maycomb County, during the years when her brother Jem reaches adolescence and she enters school. Some critics said it relied at times on stereotypes, such as the mean, trashy whites making false charges against a virtuous black. But the tomboy Scout and the quietly courageous Atticus Finch drew praise as memorable, singular creations.

Beyond To Kill f an instant classic about the segregated South.

The book's tension is built around the lynching atmosphere in Maycomb as the black man goes on trial, a scenario reminiscent of the Scottsboro Boys rape case of the same period. Scout, Dill and Jem, whose playful curiosity takes scary turns, witness the drama of an adult world with its own frightening lessons.

"Surely it is plain to the simplest intelligence that 'To Kill a Mockingbird' spells out in words of seldom more than two syllables a code of honor and conduct," Lee wrote to an editor in the 1960s. "Christian in its ethic, that is the heritageof all Southerners."

全文完

Kendal Weaver and Hillel Italie, Associated Press, 美聯社記者NEW YORK (AP) 報導

Justin Lai 選自網路

02/20/2016